Film & Video Production
Narrative shorts, corporate films and full-length productions — development, crewing, direction and delivery from one team.
DetailsOMS Production is a full-service production house — films, commercials and photographs people actually remember, from first script note to final grade.
8 films straight off our timeline — hover to preview, click to screen with the full letterbox experience.
A small crew with a big-frame obsession — cinema-grade visuals without the studio-size ego.
Founded in 2016, OMS Production grew from a two-person camera team into a full production house serving brands, artists and agencies. Lean crews, careful scripts and light that means something — that part never changed.
Blue Hour BlockingStage 2 · Commercial
Twelve PracticalsStage 1 · Brand Film
Warehouse UnitMasterclass Shoot
Monitor VillageCamera Dept
Six disciplines, one standard — if it carries our logo, it carries our name.
Narrative shorts, corporate films and full-length productions — development, crewing, direction and delivery from one team.
DetailsProduct spots and brand stories engineered to stop the scroll — concept, art direction, shoot and cutdowns for every platform.
DetailsPerformance, narrative and concept videos with practical lighting and set design that give artists a visual identity.
DetailsPatient, honest storytelling. Research-driven shoots that follow real people and give their stories room to breathe.
DetailsEditing, color grading, sound design and motion graphics — raw footage to a finished, broadcast-ready master.
DetailsCampaign, portrait, event and product photography with the same cinematic light we bring to every film set.
DetailsSix disciplines, one obsession — frames that hold the room.
48 films
Weddings & Eventsstory-first films of the days you never want to forget
60+ spots
Commercialsbrand spots built for the first three seconds
30 videos
Music Videosperformance cuts with practical light and real energy
12 docs
Documentarypatient stories, filmed the way they happened
25 films
Corporate & Brandfilms that make the annual report feel like a trailer
40 shoots
Fashion & Editoriallookbooks and campaigns with a cinematic spine
Drag through the strip — every frame is a still from a real production.
Commissioned by Pulse Records for a country single launch, this four-frame editorial traded a studio for a working stable — hard window light, practical haze and a newspaper-print wall built by our art department. Shot in one day with a two-person crew, graded in-house from RAW.
A deep brief, references, audience and goals — so the idea is right before a camera is booked.
Scripts, storyboards, casting, locations and a locked budget. You approve everything before we roll.
Cinema cameras, real lighting and a calm set. We capture for the edit, not for the histogram.
Edit, color, sound and masters in every ratio and codec your platforms need — on schedule.
Stills from sets, stages and silence — click any frame to view it full-bleed.
Transparent starting points — every quote is tailored after a free 30-minute call.
Honest storytelling for founders, NGOs and artists.
The scroll-stopper for campaigns and launches.
Full-scale production for flagship stories.
We own our core kit — lighting, cameras and drones are always prepped for the story, not rented for the budget.
The four people who touch every frame — backed by a trusted freelance bench.
Shooths the story before the storyboard exists. 9 years, 120+ sets.
Budgets, permits, call sheets and calm — the set runs on her timelines.
Cuts in rhythm, grades in mood. HDR suite certified, coffee-powered.
If the room hums, he hunts it down. 5.1 mixes for film and stage.
Two people, one camera, a borrowed light kit — born in a garage edit bay.
A regional launch film goes viral overnight. Brands start calling the same week.
Full productions with zero travel — remote approvals, local crews, same standard.
Six months inside a steel town becomes our first festival-selected feature doc.
Our own color suite, sound room and drone fleet — the full pipeline under one roof.
120+ projects in, still lean, still obsessed — now with your project on the schedule.
The things every client wants to know on the first call — answered upfront. Anything else, we reply within one business day.
Ask Us DirectlyIdeally 2–4 weeks before your ideal shoot date. That gives us time for scripting, casting, locations and permits. Rush jobs are possible — just call us and we'll tell you honestly what's achievable.
Yes. Scripts and storyboards are approved online, we shoot locally, and you receive review links and masters digitally. On-the-day video calls from set are also possible.
Everything needed to deliver: pre-production, crew, equipment, locations, post-production and revisions. No hidden line items — you see the full breakdown before signing anything.
Absolutely. We shoot client scripts as written (with free polishing), and we regularly rescue, regrade and re-cut existing footage into something far stronger.

What changes when every angle is live at once — and why rehearsal is the real shoot.
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Our recipe for dramatic western key light with zero fixtures — just sun, haze and patience.
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Bringing 40-year-old reels into a modern HDR timeline without losing their soul.
Read noteTell us about your project — we reply within one business day with honest advice and a clear quote.